WHAT NORA EPHRON LEARNED ABOUT FILM
SCRIPT WRITING FROM TOM HANKS
“…I learned from Tom was a thing that’s really
important, which is that scene after scene, you
have to give the main actor something to play,
he can never be passive in the scene, et. cetera,
even (or especially) when he’s sharing it with
a very cute little boy.”
Nora Ephron . interviewed by Patrick McGilligan
in Backstory 5: Interviews with Screenwriters of the 1990s
(June 2007)
**
ON THE COWBOY STAR WHOSE HORSE WAS NAMED TARZAN
Ken Maynard. “Maynard, born Kenneth Olin Maynard in
1895, began working for circuses and carnivals at 16.
As a young man he became a rodeo performer and a
trick rider for Buffalo Bill’s Wild West Show. By
1923 Maynard was appearing in movies and became a
cowboy star. His horse Tarzan appeared in literally
dozens of movies, including The Demon Rider (1925),
Overland Stage (1927) , Come on, Tarzan (1932) and
Lightning Strikes West (1941)..;”
David Lemmo. Tarzan: Jungle King of Popular Culture
(Jefferson,North Carolina : McFarland & Company,2017)
**
ON WHAT VIEWERS REMEMBER ABOUT THE BIG
PARADE
“In my own film The Big Parade for years after its
first showing and until this day, people speak of
the moment the doughboy, played by John Gilbert,
removes a heavy shoe from a pack on his back and
throws it to his French sweetheart as a desperate
token of his affection. Equal to this, they speak
of the close-up in which the same girl in a impulsive
move to slow the truck’s progress holds to a chain
at the rear of the truck that is carrying her lover
to war. The film is a mighty panorama of World War I
decidedly in the spectacle category and yet the
memory is of two close-ups. A hundred airplanes
in a sweep over a battlefield is never mentioned.”
King Vidor. King Vidor on Film-Making (New York:
David McKay Co., 1972)
**
FILMS YOU MAKE YOURSELF
“Very few films are dreams, configuring and reconfiguring themselves in your mind on waking. These films, I think,
you make yourself, afterwards, somewhere in the shadows
in the back of your head. The Bride of Frankenstein is
one of those dream films. It exists in the culture as a
unique thing, magical and odd, a lurching story sequence
as ungainly and as beautiful as the monster itself, that culminates in a couple of minutes of film that have
seared themselves onto the undermind of the world.”
Neil Gaiman. The View From the Cheap Seats (New York:
William Morrow, 2014)
**
THE QUOTATION EXPERT MARDY GROTHE ON THE TITLE
OF THE FILM - THE YEAR OF LIVING DANGEROUSLY
"Although the movie made “the year of living dangerously”
a widely-known catchphrase, it’s not the origin.
Nor is the 1978 novel The Year of Living Dangerously by Christopher J. Koch, which the film version is based on.
The setting for the book and movie is Jakarta, Indonesia
during the chaotic period that led to the overthrow of
the country’s long-time dictator, President Sukarno.
Author Koch took his title from a speech Sukarno made
in 1964.
"The President had a custom of giving a special name to
each year in his annual “National Day” speech. In the
National Day speech he gave on August 17, 1964, Sukarno
named the upcoming year “the year of living dangerously.”
This reflected the challenges he knew he faced from his political enemies, who included both hard-line Communists
and radical Muslims. The multilingual leader’s name for
the year was based partly on an old Italian phrase he was familiar with — “vivere pericoloso” (“living dangerously”).
Although Sukarno gave the speech in the Indonesian language, he inserted those Italian words after the Indonesian word for year, tahun, to create the name. The year ahead, he said, would be the “Tahun vivere pericoloso.”
http://www.thisdayinquotes.com/2022/01/dr-mardy-grothes-new.html
**
JOAN CRAWFORD & THE LETTER T
“After I divorced Franchot (Tone) I asked my maid
to pick out all the T’s in my linens – acres of
towels, meadows of bed linens. I don’t know how
many hundreds of T’s the poor girl had carefully
unpicked when, one evening, listening to the radio,
she heard the announcer break in with a news bulletin:
Joan Crawford has just married Phillip Terry!
The maid threw down the pillowcase she was working
on and screamed, “I quit.”
Joan Crawford. My Way of Life . 1971
**
NOTES FOR A HISTORY OF FILMS & POLITICS
“I saw Reds in Oklahoma where I once witnessed people walking out on Fiddler on the Roof because it was about ‘A Bunch of Commies.’ I saw no one walk out on Reds.”
Jim Beaver in Films in Review (February 1982)
**
CARTOON CHARACTERS ARE NOT THE SAME
AS REAL PEOPLE, SO THEY SHOULD NOT
GET ROMANTICALLY INVOLVED WITH ONE
ANOTHER
Elmer Fudd
Fell madly in love with Ashley Judd:
"Oh kiss me, Ashley. You're so hot!"
"No," she said. "I am real and you are not."
LJP
Jim Beaver’s recalling seeing Reds in Oklahoma reminded me of my own experience seeing it at a Directors Guild screening on W 57th St. During the intermission, I went outside with a fellow director who asked me what I thought of the film so far. “I’m usually a big fan of (the director of photography) Vittorio Storaro’s work but this time he took his penchant for low lighting to ridiculous extremes,” I replied. “Well,” he said, “it might help if you took off your sunglasses.”
Loved seeing the picture of Fred Astair and Giner Rogers under the headline “Check to Check”. That song was a favorite of mom and dad’s – only dad would sing in mom’s ear “when your out together dancing with a Greek”. Also I just saw portions of The Year of Living Dangerously the other day on TCM and was surprised to see a very young Mel Gibson (I had never heard of that movie before). Love learning and re-learning things in Misplaced!
Great stuff. Best is the poem.
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Jim Beaver’s recalling seeing Reds in Oklahoma reminded me of my own experience seeing it at a Directors Guild screening on W 57th St. During the intermission, I went outside with a fellow director who asked me what I thought of the film so far. “I’m usually a big fan of (the director of photography) Vittorio Storaro’s work but this time he took his penchant for low lighting to ridiculous extremes,” I replied. “Well,” he said, “it might help if you took off your sunglasses.”
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Loved seeing the picture of Fred Astair and Giner Rogers under the headline “Check to Check”. That song was a favorite of mom and dad’s – only dad would sing in mom’s ear “when your out together dancing with a Greek”. Also I just saw portions of The Year of Living Dangerously the other day on TCM and was surprised to see a very young Mel Gibson (I had never heard of that movie before). Love learning and re-learning things in Misplaced!
LikeLike